The moment that the realization of a dramatic action occurs, is located on a short-lived the monster of repetition that is distinct and bounded just by human intervention and creative established by the actor, founder of the action and the senses. Such is the instability of the dramatic impulse in your body, the actor / person ends up committing acts of retention occurred in pursuit of the past and forget that the dramatic action is performed in the present tense, and end up repeating the mechanical act and the actor's body and perform physical memory A copy of common realities. Pointed at the mutation of the actor, in a field of probabilities where hungry monsters and angels are sweeping vehicles or vectors of the experience of creating a moment of life, and it is only after waking psychophysical, consciousness of each second, every breath or blink which would emerge the mystery theater. The theater is almost a virtual universe, is the construction of illusion, a sham or deceit in faith and therefore the return to power of the senses, beliefs, and their influence on reality. The theater is a unifying rite of desires and the actor / officiant is the skin with memories, not memories, or be a catalyst for the sensitivities. In the creative process of the walk is a confrontation between the case and the ability to perform, the closer that the imagery of creation, the stronger the psychophysical event in the actor. Understand the actor's body in the literary text and its transfer to the stage space, is what makes the methodology is the link driver and founder of the style, no dramatic style without one or aesthetic point of view, um, philosophical and it is just from the definition of the method where one can address in the case of physical theater techniques necessary to implement the act and is the technical definition of who makes the learning style / language . Ophelia I can do synchronized swimming? Anne Frank as a contortionist? O Hamlet between braces? both space and the very development of the character are clues to define the technical body and style / cosmetic to be used, the methodology being the foundation of the universe to be subtle or vital content to the impulses and away from operator technical. The dramatic action is an act of faith ... a sham human reconstruction, a differentiated repetition (the birth of language Gilles Deleuze). where is the actor's body that registers and complaint in the space stage human conflict, and it is in the body of the actor where you should invest in the discovery and mapping methodology of the scars left by the given circumstances of the characters is almost a miraculous act, is like searching for the deceptive illusions of the magician, where these scars are like stigmas they do with that action can flow through the pains and pleasures of the character, therefore need a certain body where ID archeology technical and methodological should mysterious permit reconstruction of the various perceptual, volumes and dimensions of the human condition. there's no room for thought or idea at the time of the dramatic action, I believe that emotions are the result of actions (vectors) and not a preset mindset and it is only from the reconstruction of a body able to hold, receive and expose the emotional juggling where the mystery occurs Theatre. It observed the different techniques or bodily disciplines perceive the existence of a pattern in the structural and formal, between a yogi and an Olympic gymnast or a football player and a dancer, are present almost the same with varying body plans technique addresses the specific objectives of each circumstance and the methodology to do with the intentions of the performers transform the formal / structural transformative action is in the game or the soul, and the theater is a game of the soul and the humana.Y soul before the match is the preparation of the player, the actor so its corporeality should be suitable for mortals with the body and soul, and there is no room in the theater for the exhibition of skills are these physical or emotional. Borges Almicar
Chile, Santiago (Director of Theatre)
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