Women Volley Ball Cameltoe

Well it has to determine that meaning in the authoring stage, and in developing practical skill for rhythmic synchrony, semantic, syntactic or stylistic and appeasement of an author and the scenic setting, as well we talk about the writing of the director or of the relationship established between the different languages \u200b\u200bthat mean in the show, or the partner in question, fractal or hermeneutic, to establish the similarities between cinema, theater and TV
The truth is that consumerism, the cultural industry, globalization are posing a drama : the theatricality of public space, the outdoors, open space: Sanniones, planipedias, AQUACER, acrobats, tightrope walkers, predistigitadores, mime-actor, androgyny, misogyny, in order: ioculatoris and maleficus domini.
This internationalization, or abstraction of the word primarily prevents the singularity, and allows just the same, by the standards and rear, native and foreign. Replace, reduce or sublimated body's ability Interpretation; variety of corpus; icons on crossroads, uncertain of chance; widget on construction, culture on art.
not so new drama to be exact. Agreeing in advance that any return, or return, or return circunvolición is a spiral, as the curved mirror of our love.
not so new drama to be accurate because the culture industry from the 60's was asking for the sake of efficiency, globalization, the universality of art, the abolition of the word as formal and material impediments to achieving communication.
not so new drama, to be exact, because empires (From the Egyptians to contemporary) and have always behaved so universalesca urged to enable them, first of all, remove the singularities, or reduce them to the superfluous, the baroque decoration, to create and strengthen a single and unique identity: the empire.
is no doubt that this dramatic regress to lead and be in your protoescenario, to their original sewer, to your specific audience: the stadium, racetrack or both pride in the Rio carnival and how pleasant was to Constantine. Stadium
urged to revamp its phallic spectacle to occupy the place it belongs par excellence. (Oh coincidence) and moving (who believe it!) in the same direction, incubating, the other trainees brewing gesticulating actors, peers: the player, who every day is early testing and debugging the first steps, choreography and gestures, and the public has already anticipated, strangely elements constitutive and structural origin of its orgiastic catharsis. Theatricality
without drama. Pan, because the action itself, and as a movement or as an image, a flower of a day, as needed, but not the development of impersonation for the new, which is not bad it is surprising and refreshing to the viewer's retina, passenger, also urged hebrio and emotion without feeling paroxysm without ecstasy, grandielocuencia no wisdom, no individual serial numbers: mass, imperial sounding.
It is reasonable to also ask why this has occurred throughout human history what other dramas catechumens and island appear and oppose the delusions of power and lust. And how? And why? And for what? And where? And how do they differ? And why are they different?
Maybe then we could talk about dramas: the existence of this polarization, and the alternations against imperial homogenization.
The current rhetoric seems more like the ghetto IDOLIZE paradise lost.

Phanor Teran of Colombia
(playwright, essayist, researcher)